Week 47: The Death of Vinyl?
I spent the last couple of weeks relaxing in Puerto Rico and Florida. Had a nice time with the family, saw old friends, took the baby swimming, etc etc. Thank you Rosa, Bloody Jumpsuit, and Head Stapler for covering the posts.The trip was great for clearing the mind and getting some inspiration to write about a few things, but before I do, I have to bring up something I unexpectedly discovered while looking for turntables.
You know how some people think that all those dead rock and roll idols aren’t really dead? One of the most harebrained theories from people with that belief claims that they all faked their own death, and are now living together in a secret paradise, maybe somewhere in the South Pacific, enjoying in complete anonymity all the money and earthly pleasures that their fame and popularity can afford them.
They are served day and night by teams of dumb, deaf and blind groupies that attend to their every need. And at night they get together and listen to each others recordings. But the recordings they use are not plain old CDs or MP3s or 8-tracks, they are albums, but not your good old black vinyl type, what they play are gold and platinum records. Not the ones the RIAA awards you for certain number of albums sold. No, these ones are made of real 100% solid gold or platinum, and are actually playable. So all night long they listen to these gold and platinum records and it is said that when they hear their own music played in this format they experience instantaneous and endless orgasms that Sting couldn't even begin to imagine.
I always thought this was all a big whatever. I mean who cares about whether these dead rock stars are dead or not, and even less about what they do if they were actually alive and living in some paradise-like island? But my attitude changed while searching to buy a new turntable so i could play the crappy, scratchy vinyl that I so adore. I found an online store, The Needle Doctor, that I can only conclude is a front for a secret message to the living rock stars of today. I'm far from a rock star, but years of acting like an idiot on stage, and excessive amounts of drugs have given me the ability to understand the secret semiotics of the rock star language. And when I found this online store, what I saw was not just a fancy turntable store, but a secret message that said, If you make endless amounts of money, are willing to spend it on completely useless stuff, and are willing to pretend to be dead so you can use this completely useless stuff without anyone bothering you so that you are be able to listen to your own recordings as printed unto legendary gold and platinum records that give you instantaneous and endless orgasms upon hearing them, then you have come to the right place. Frankly I'm surprised Sting and Bono are still pretending to be alive.
I love my vinyl. I'm not sure exactly why. A pretending-to-be-clever me might say that it has something to do with the sound quality being warmer, more human, but I think that statement is too general and makes it sound as if I was saying the recording quality was better. To tell you the truth I'm not absolutely sure I would pass a blind test between hearing a digital recording and a "perfectly" clean vinyl recording. But I do know that I do love my vinyl. Digital stuff is like frozen music, captured in time and forever frozen in the medium. Digital is also too damn easy, it really has no personality and you don't even have to take it to dinner before it puts out.
Not vinyl. My vinyl ages with me. New pops and crackles mysteriously appear as if the vinyl had been out on a night of heavy drinking without me. My vinyl also makes me work for it's music. Not only do I have to be careful with it or it might scratch, scarring it forever, but there is no remote control so I have to get up and manually pull the record from it's multiple sleeves, being careful not to leave my hand print on the surface. It's a whole process dealing with vinyl before you get to the music. To me digital music reminds me of my friend who had a dog, but always had other people walking it, bathing it, feeding it, etc, all he ever did was pet the poor animal. You ever have to clean an MP3? Often enough (more often than not) I'm lazy and listen to the digital music in my computer, but I will never develop the kind of affection for it that I have for my vinyl, I don't care how crappy and scratchy it gets.
So after discovering this online store, I realized that vinyl is not just a medium of the past, but it is slowly being dragged away from us, the struggling vinyl buyers, by these pretend-dead rock stars and some sort of trilateral commission of recording technology in order to keep me from listening to the sweet sound of my vinyl records.
I’ve lived my life with the belief that humans can’t keep secrets. So how is it that a secret this important has never made it to the news, or at least some online blog? The realization that secrets like this could be kept has sent my mind into a 78rpm spin, and in my fevered spinning mind I had a vision. In that vision vinyl records were being made exclusively of gold and platinum, they cost thousands of dollars to buy and only a very few people in the world could afford them, and even if a very clever burglar managed to steal an album from one of the ultra wealthy, the burglar would still not be able to play that record since the only equipment available to play them were machines the size of skyscrapers with spinning plates hidden in their very center inside plutonium vaults that were only reachable through complex labyrinths that required one to answer correctly thousands of standardized test questions along with millions of entertainment trivia questions before you could get through. At this point I came to from my vision and found myself in a cold sweat only to realize it had all been a dream and i still had my trusty turntable that could spin my crappy and scratchy vinyl. But for how long?
Ok, I'm sure you want to see the secret symbols in this Needle Doctor store that have driven me to such fevered visions. Well, here's some of it, you tell me if you don't get the same message I got.
Check out the turntable. What records do you think are being played on this?
Here’s the cartridge for it. More than twice the price of my car.
And of course you do have to keep those records clean, so you'll need this record cleaner.
And of course a preamp is absolutely necessary. Don't ask me why.
I know, I know. If you are like me, you are in shock, and like me you must be thinking, how much longer will it be before I can no longer afford a needle for my turntable, and then you are wondering if you will be able to build your own turntable from a bicycle, which of course leads to all kind of theories about how to make copies of your vinyl records by melting old tires.
Once the shock subsides though, you’ll realize that the vinyl war is far from over and that there are still affordable turntables out there, and that there are still bands like the Linus Pauling Quartet that are releasing their records on vinyl at an affordable price and not on gold or platinum (thank you LP4). So go buy their record, and buy other newly released vinyl records.
And buy a cheap turntable. This one is not only inexpensive but portable so you can take it with you when the pretend-dead rock stars have taken over the habitable parts of the world to build their monstrous turntables so they can play their gold and platinum records and fill the world with their cum. Me, I'll be in some underground cave, pedal-cranking my bicycle turntable so I can listen to my crappy scratchy vinyl made from melted tires.
PS - This week I wont submit any music for the week's podcast cause this is all about vinyl and the podcast doesn't do vinyl. So to the podcast creator, my suggestion is to allow for a few minutes of silence somewhere in the middle of the podcast, maybe 4-5 minutes. During this time if you want to hear my submission you will have to get up and manually go to your turntable and play any vinyl you can find. How hard is that?
*The image above is of the Voyager Golden Record that was sent up on the two Voyager spaceships in 1977.
Labels: Thursdays


22 Comments:
Oddly, I've found it easier in the past few years to find turntables & needles & such. I can remember back in college (which wasn't that long ago) searching in vain to find a decent/decently-priced turntable on which I could play my beloved 7"s. I ended up buying one from a junk store on Bolivar, mostly because the owner wouldn't sell me her "Band of Gold" 45 unless I bought the turntable, too. Since I couldn't find anything better, I beat that "all-automatic" piece of '70s crap into the ground.
These days, though, I go to places like Best Buy and Circuit City (I know, I know; this is just an example) and, lo and behold, they've got turntables, cartridges, the whole deal.
Maybe it's due to the rise of turntablism as an artform or something, I dunno. Either way, I don't think The Man's gonna pry the vinyl out of our collective cold, dead hands just yet...
You do know they now make turntables with USB connetions. But I'd argue that CDs will disappear before the LP. You can still buy LPs and they have a ravenous culture behind them be they DJs or Garage Fans.
The low end sound more massive on Lps. We just released an LP with a CD inside - guess wich one sounds better even thought they were mastered at the same studio?
Clever Carlos. I want a statement turntable. It's sort of a statement to have any turntable though isn't it?
Yeah I think the rise of the Live DJ has kept the record player going which is a great thing.
I had to dismantle the music room to make a nursery. I thought for sure that this would signal the end of an era and the records would end up in the basement. But Tricia wanted them around so we built shelves in the computer room. I'm so relieved.
Carlos - I think you might appreciate this article speaking of fantasy vinyl.
Quick enticement - sometimes you get more than you pay for and you don't even know it.
Quick synopsis, guy spends early career re-packaging records of prestigious artists as those of fictitious artists to sell them cheaper. He makes up classic names like Wilhelm Havagesse and Paul Procopolis. Then very late in life he works on his masterpiece, his own wife.
Filling the world with cum, wife building, 8,000 dollar goldfinger needles. What a post! Jam Packed! And Welcome back Carlos. Your imagination never ceases to impress me.
I don't have my vinyl anymore. It was too heavy. And I moved too much. And yeah that pretty much sucks. My first stereo was one of those big ass wooden boxes weighing in between 80 and 100 lbs. Where are they now?
Podcast. There are alot of digital recordings from vinyl that maintain a similar scratchy aesthetic.. I don't know about the 4-5 minutes of silence somewhere in the middle, I mean... really? I'll be doing the cast this weekend. Maybe I could throw in endless skips between each song..... And welcome back again, you Pirate spawn you.
One of the points I was making about vinyl was that its more than just the sound of it. I am aware that there are ways to convert vinyl tracks to MP3s, as far as I'm concerned all that does is create more MP3s. This post is about vinyl, physical albums, not vinyl tracks frozen, like canned fruit into MP3 format. Converting vinyl to MP3 completely misses the point. So no, I wont send MP3s of vinyl to the podcast. I have some of those, but again, not the point.
I am also fully aware that there is still plenty of vinyl. And that turntables are readily available. The needle doctor has very affordable ones and so do Amazon, Circuit City, Best Buy etc. The mickey mouse one i pointed out is a perfect example. And I'm getting ready to buy a Close'n Play for my daughter who keeps trying to play with our albums. But again, not the point.
Its funny but also slightly annoying (and probably more than anything it's a reflection of my inferior writing and the free associating way in which blogs seem to work) how what I thought i was writing about goes totally ignored by the comments. I believe john has had some luck with this, as have I in the past. John however has been more vocal in commenting about it while I usually just let it go. Not this time.
Because gee, doesn't anyone here wonder who the fuck buys a 100K turntable? and what they play on it? Sure it would be easy to be totally dismissive and say, oh, there are very rich people in the world ready to spend 100k on any piece of junk. But no, these is not just any rich person, and this is not just any piece of junk. This is a very rich person with a vinyl record he wants to hear on a 100K turntable. The Smithsonian's record cleaner is available for $500. Who needs one that costs $3200? What record are they cleaning? One rich bastard may bring a hot supermodel home an show off his 100K turntable, but why would he show off his $32k record cleaner? that is not sexy, that is just obsessive to an incredibly high degree about cleaning records, or maybe you're thinking, maybe this rich bastard just told his assistant, buy me the best turntable set with all the gimmicks that go with it, and the assistant goes and buys it and it just sits there an never plays his collection of Kenny G vinyl. This is probably what really happens, but does that even make sense? Don't you all see that there is something TERRIBLY wrong with this picture?
So anyway what's the difference between a place to get a drink and an elephant's fart?
Okay I'm being really hard to deal with lately but whatever I'm sincere in my comments for the most part. Btw, didn't you just make a fairly unrelated comment to my post you snake?
No I didn't quite read your post that way but I did read it. I mean I thought the stuff was over the top, but kind of cool. And I appreciated the way you used it.
Anyway let me know if you want to know about that elephant.
Hé Chacun ! Le village a été abandonné.
There's no real sense to be made when this is all trumped up to the obsessive nature of an Ellis American Psycho. I don't have any idea who the patrons are. LIkely they are rich people who don't have any kind of interest in "shopping around" for sensible alternatives. The argument regarding how assholes choose to spend their money is like taffy that can be stretched into oblivion and include all of our consumer habits and collector quirks.
This is an excessive example to be sure. But I can think of worse examples of assholery.
I do miss blowing every penny I ever made on music at Record/Sound Exchange/Vinyl Edge. I miss the inserts. I miss the ceremony of selecting, handling, placing the needle without dropping it, and sitting around reading the lyrcis dreaming of being far away from the room I sat in. I don't miss how much they weighed. How easily they were damaged. How hard they were to cart around. I don't miss those things mostly because of the type of personality I have and the life choices I have made, which have taken me to the ends of the Earth and I never liked my possessions being housed by strangers until I could one day return for them.
I also know, that regardless of the fond memories I have for vinyl, I have been able to afford and hear 100 times more music with the new medium. Maybe it's like getting fast food instead of something healthier and more personable... But holy hell I could not afford to buy every album I ever wanted on a whim as in the past. SO.,. Yes it's a little defeating to remember the good old days, and how technology has crashed through our doors giving us whatever.
Ive gone on too long.
I can't even comment on a one hundred K turntable, that being from a universe I never visit, but I will say that your cheap but decent turntable won't matter a whit in combination with a shitty preamp/receiver, speakers, and cables. Me? I've got an entire lot of shitty. So for poor folks like me, cds are just fine. I do have a turntable, but my records sound like they are being played over the phone on the damn thing, so not too exciting there.
Honestly, great sound is not that reachable a concept for me. CDs are fine. In fact, I hate when people claim cds are vanishing. There is a big fucking difference between decline and extinction.
It's no different from John Lomax claiming that rock is dead (when it isn't), and that rock has been usurped by rap (which it hasn't), and that rap, now, is dying out (which it most clearly... isn't). I think that dude just likes to read himself write (so to speak). Speaking of the Press, and vinly, the cover article is about the resurgence of vinyl dorks. Rejoice, vinyl dorks, your voice has been heard. Now go fuck yourselves.
K, i thought the comment i made on your post was about one of the days you mentioned. Your post being basically a diary it was hard to comment on it as whole. And either way i dont mind tangents, i actually quite like them, what i dont like is misreading which what happened here when people recommend that i dump my vinyl unto mp3s.
I'm also enjoying very much the New Yorker article you linked. very very cool the half i've read so far.
as for vinyl, HS and John, I guess the bottom line for me is that music sounds best to me in its native environment. I think there has been what i consider a semi-ficticious creation of this abstract concept of "the best possible sound" which keeps changing with time and invariably has included low distortion, bass boosting, etc etc. I've tended to discover that, with a few exceptions, music sounds best in its own environment. what i mean is that 50s rock n roll sounds best out of 50s mono cabinet record players and tiny mono radios that you can stash under the pillow. 70s metal sounds best out of big speaker cabinets. Old 78s sound best out of old gramaphone players. When modern technology tries to convert to stereo, remix, etc it sounds like its taking something away.
And yes, HS, I do agree with the cumbersomeness of vinyl. I"ve moved around a lot and left many records behind at peoples houses, used record stores, thrift shops etc. but thats the nature of the beast. Real friends are also very cumbersome and hard to take with you, but still better to have just a few of those than 2000 facebook friends.... ok thta was probably a bad comparison, but still I"ve never missed an MP3 that i've lost as much as i've missed some records, probably cause there will be a thousand more MP3s behind the lost one, but man, that green vinyl copy of Cream Corn from the Socket of Davis...... i'll never forget you buddy.
Damn, i'm verbose today.
ALL I'VE GOT IN THIS COLD WORLD IS FACE BOOK!!!!!!
clarence carter on a cd....complete shit, or did i just buy a shitty version? don't know b/c the version i wanted to hear was the one my mama used to play on the record player that took up half the dining room.
facebook friend..what?
huh?
the answer to the expensive record player cleaner or whatever. a lot of poor people should revolt and use this ridiculous stuff to clean their stoves or something.
God damn, i just finished reading that story you linked kilian. Awesome. I love stories like that.
---spoiler alert ---
I guess I just love a good con story. Reminds me of some of teh best Borges stories, Raymond Roussel, Martin Guerre. I was totally rooting for the old woman and then i was even more impressed with their work after finding out it was all fake. At the risk of sounding totally Mr-Holland-cheesy i will say that i fully believe the the main purpose i've learned from music is to guide us in the composition that is our lives . And maybe stealing and lying are not teh best qualities to have in life, but what the fuck, it really made for a great life composition, and what the hell, they were playing the instruments they knew how to play.... And in their lying they really shined a light on many a human conceit from sampling, and recording techniques to music criticism and fandom to internet blogs and forums. Damn what a great piece. Thank you K, totally made my week, probably my month.
I was thinking of you when I read it. Lots of word play in there and yeah I had similar thoughts about life work. There's an mp3 bit on the new yorker site as well with a hilarious audio review from a fooled Classicals Critic. He says "Joyce Hatto doesn't like editing and neither do I." I think at the time he was talking about a piece that is edited from the works of three different musicians.
As far as the bit about comments, don't be too hard on Ramon after all he can't even tell if he's in the same room with another poster (Remember the Justin/Band Ramon Doesn't like post?).
And didn't you notice the booze by his workstation? He's one of those gonzo journalists.
Why someone would spend 100k on a turntable is beyond any scope of reason. I don't understand the audiophile thing anyway. I know everyone likes nice gear or whatever but when the recording was mixed and mastered on speakers that are a fraction of the price that they will eventually be enjoyed on is just stupid.
That said, I do miss the ritual of vinyl. I really never had that many records to begin with, but I miss the cover and sleeve. I miss the visual cover art and its implied relationship to the music. Record labels in the 70's spent so much more time and money on the overall appearance and packaging than they do today. Tangible, not virtual.
All of my music is in the digital realm today and I don't really mind, though. I agree with Cramer. My ears are shot anyway. One day, my hard drive will get accidentally wiped and there it goes. I think I'll survive.
I do think Carlos should christen (sp?) his deck with an original pressing of "Dark Side.." Yeah it's cliche, I know.
Baleen, I not only have Dark Side ready, but i have the Original Master Recording of it. The only OMR I ever bought. Honestly the only reason I was able to tell the difference when i got it some 25 years ago was because I had paid like $15 for it instead of the usual $8 that I was used to paying for albums. For those extra $7 I made sure i heard some kind of difference.
haha. missing the point is what us commentators do best. now you know how john feels during his waking life.
buying obscenely priced audio gear is the same as buying obscenely priced cars. i mean how practical is it having a car that goes from zero to 200 in 5 seconds if you the freeway traffic won't let you get past 45mph? hey, it's your money, knock yourself out. at least there is a passion behind it. what's the passion behind getting an iphone? pfuh.
having said that i have a friend with a tube driven receiver and another friend with one of those turntables that must hold records down with suction cups or something cause you can't get ur record off without flipping a switch. and i have like 30 new records. maybe i won't stay in tonight after all.
i'm not a vinyl head and in fact i do like cds despite their delicate nature. but lemme tell you my hands trembled when i found an original issue record of the mc5's 'high time' for under $20 at soundexchange this past week. dude, and when i played the ballad "miss x" on my radio show, i started balling. if you can't understand why i'm not gonna tell you. i am not of you.
our friend shawn just sold his entire collection of vinyl (over 5000 records) to sound exchange. he didn't keep NOT ONE of his records. i can understand why. every record you acquire has its own history (especially if you bought it used) so even though you can be written off as a mal-adjusted shopaholic, we vinyl buyers consider our record troves a body of work.
thank god i'm a taurus living with a taurus though. i don't move often and every goddammed piece of vinyl is coming with me when i do.
PS OHMYGOD KILLIAN A GIRL! GIRL! wonderful wonderful...i hope she gets your hair so i can send you a million little barrettes and hair ribbons...
I have a feeling she'll be very hairy, poor thing.
Hey Carlos, remember that time I was playing one of your records in Long Island City and it wouldn't play because it was warped so I put a nickel on top of the needle? You were mad when you came home and I got a lecture about needle maintenance. Thinking about that lecture (and of course you were right) I can imagine you with a monster stereo system.
wasn't the record so warped that it was hitting the arm of the turntable as it went around? When i was first starting to get into buying albums, so wiseass older guy told me that if your record had a scratch the thing to do was to lather it in butter. I tried it, it does not work.
Thanks for dispelling the butter myth that I have never heard before anyway. That's weird.
No, the record was skipping a lot. I wish I could remember which record it was.
The real death of vinyl in Jamaica as lamented by Pitchfork writer Dave Stelfox.
Cool article K, thanks.
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