Since I've Been Thinking About It
I’m listening to Led Zepplin’s “Since I’ve Been Loving You” and man, I’ve gotta tell you. The guitar solo in that song gets me all goofy.
I know there’s a ton of people with at least semi-legit arguments for why Zep does nothing for them. I get that. But seriously, if you are one of those people… then fuck you.
You see, when Jimmy Page launches into that monumentally expressive minor key outburst it sounds like he has tapped directly into what it is that pisses me off about life and makes me want to go away and hide from all of you. Forever. And when I know someone else can not only identify that about life, but express it artistically in a way that screams my name all over it, I am moved by it. So you may not get that, but then who gives a shit.
And whenever I see the guy speak, or even just stand around with that snide grin on his face, I just see some massive headed Brit who thinks the sun rises over his white ass alone.
It takes a real man to admit when someone else is right.
That solo confirms the genius of Jimmy Page and firmly ensconces him in the place he occupies so rightfully.
So many decry Zepplin’s bloat, or their gratuitous penchant for overstatement, but you have to ask yourself something. When you left the warm bosom of your childhood home, and first plied the trade of the self reliant, at what point, if at all, did you realize how much of a complete pussy you actually were?
This guy didn’t just top charts with his cock all over the stage, he defined a genre by injecting it with all the sex, power, artistry, and expressive genius it has ever had before or since. And that will never change no matter how many fucking Arcade Fire Cds you use to wipe up your waxy ejaculate from off of your Technoviking photos strewn about the floor of your Cooper Mini or whatever ode to ignorance carries you to your ugly life.
Maybe I’m just making a judgment call here. I guess what I’m trying to say is if you are one of those people who actually bought the real hype about Led Zepplin, the hype that claims them to be nothing more than an example of 70s AOR excess, and you in the process overlooked how multidimensional, pleasing, powerful, and emotionally resonant their music actually can be, then I truly feel even more sorry for you than even I thought possible.
Go back and check that track out again. Freely. No more smarmy repartee now. Actually find a copy of that song and really listen to it. Open yourself up to it. Follow where they are going and when that solo kicks in, let it do its thing. At exactly four minutes four seconds into the track, Page play a little lick, in the middle of the solo that literally gives me goose bumps, and that is what the electric guitar is all about. All about. And god, I hope you hear what I hear, because what I hear is the kind of thing that makes the nights a little shorter, and that is always alright by me.
I know there’s a ton of people with at least semi-legit arguments for why Zep does nothing for them. I get that. But seriously, if you are one of those people… then fuck you.
You see, when Jimmy Page launches into that monumentally expressive minor key outburst it sounds like he has tapped directly into what it is that pisses me off about life and makes me want to go away and hide from all of you. Forever. And when I know someone else can not only identify that about life, but express it artistically in a way that screams my name all over it, I am moved by it. So you may not get that, but then who gives a shit.
And whenever I see the guy speak, or even just stand around with that snide grin on his face, I just see some massive headed Brit who thinks the sun rises over his white ass alone.
It takes a real man to admit when someone else is right.
That solo confirms the genius of Jimmy Page and firmly ensconces him in the place he occupies so rightfully.
So many decry Zepplin’s bloat, or their gratuitous penchant for overstatement, but you have to ask yourself something. When you left the warm bosom of your childhood home, and first plied the trade of the self reliant, at what point, if at all, did you realize how much of a complete pussy you actually were?
This guy didn’t just top charts with his cock all over the stage, he defined a genre by injecting it with all the sex, power, artistry, and expressive genius it has ever had before or since. And that will never change no matter how many fucking Arcade Fire Cds you use to wipe up your waxy ejaculate from off of your Technoviking photos strewn about the floor of your Cooper Mini or whatever ode to ignorance carries you to your ugly life.
Maybe I’m just making a judgment call here. I guess what I’m trying to say is if you are one of those people who actually bought the real hype about Led Zepplin, the hype that claims them to be nothing more than an example of 70s AOR excess, and you in the process overlooked how multidimensional, pleasing, powerful, and emotionally resonant their music actually can be, then I truly feel even more sorry for you than even I thought possible.
Go back and check that track out again. Freely. No more smarmy repartee now. Actually find a copy of that song and really listen to it. Open yourself up to it. Follow where they are going and when that solo kicks in, let it do its thing. At exactly four minutes four seconds into the track, Page play a little lick, in the middle of the solo that literally gives me goose bumps, and that is what the electric guitar is all about. All about. And god, I hope you hear what I hear, because what I hear is the kind of thing that makes the nights a little shorter, and that is always alright by me.


15 Comments:
As someone who modeled the intro to a solo on a Jimmy Page riff on the new LP4 album I cannot deny the band's brilliance.
I will say this much though about the bloat. First off Led Zep IV or say Houses of the Holy hit the mix of bloat and real expressiveness perfectly - there is a reason they a classics. After and including Physical Graffiti not so much. There the bloat does start to get a bit heavy. Cashmere for example was great in High School but it's just redundant now.
To me what really cinches Led Zeppelin as a great band though where you say "Holy Shit!" is those early performances that they play on VHI Classic of them playing on some TV show in Holland I think it is. Amazing footage and an amazing performance that really contrasts with the notable bloat of that makes "Song Remains the Same" such a chore to watch.
Lastly, I think the biggest problem of led Zep is the constant overplayed nature of many songs. "Starway to heaven" gets boring after spin number One Jillion billion. Though it is refreshing after not hearing it for say like five years and stumbling across it and saying "Oh yeah, this is a good song." That is one joy of staying away from commercial radio.
It's interesting that you anticipate a lot of criticism for liking Jimmy Page, but I'm not sure where that criticism would come from. Certainly not from the folks around here.
While Plant's voice gets on my nerves occasionally, there's no denying the genius of Page's playing. Lots of people play faster and more accurately, but that doesn't approach the soul of Page's playing. I think this "soul" that I'm talking about lives in the little pauses that tell me that Page is not just stopping for effect, but that he's deciding what he's going to play next.
Anybody can practice a solo until all the corners are rounded, but Page's real genius is that he can convince you that he picked up the guitar and the stuff just started flowing out. He's making choices right there while you listen and he still has the ability to keep it together.
Oh wait I take that back there is anothe Led Zep reference on our new album but that's referencing a John Paul Jones song.
I wasn't so much anticipating a literal backlash from NAP people, it was more loosely defined in my mind despite my gutbustingly hilarious way of being such as ass. And, I'm with you on Plant's voice. Still, it works most of the time for me in spite of it being so silly.
Of course Ramon leaps right into the very abyss I have summoned. That's why I love the little fucker.
I heard "Nobody's Fault but Mine" the other day. I forgot how raw the harmonica is on that. I assume Plant played that solo. Kind of a "Holy Shit!" moment. Regarding Page, I second Justin's observation. Also I think there is a sense of humor in some off his riffs. The guitar along with the lyrics in "Misty Mountain Hop" just make me giggle whenever I hear it.
Zep had it it all. period.
There are actually a surprising number of people who, for some inexplicable reason, don't like to get the Led out, strangely enough.
Also, I would like to take this opportunity to express admiration at your anti-Technoviking stance. It's good that someone was willing to incur his wrath.
in my pretty electronic/techno/digital/computer/y workplace of the last 8 years, it was funny to see all the Led Zeppelin albums make their way through our collective hard drives at one point. Bowie made it through as well, but otherwise, that was it from that general era of that length.
Secretly, I'll tell you that I can sometimes be caught singing Whole Lotta Love.
When I first started listening to Zeppelin at the laughably late age of 23, "Since I've Ben Loving You" was my favorite Zep song.
My favorite thing about that song is the beginning where you can hear Bonham's kick drum pedal squeak.
Funny you mention that, Daniel, because when I listen to that song on my laptop, I can hear that pedal through the entire song.
BLAP
creakWHUMP creakWHUMP
creakWHUMP BAP
creakWHUMP creakWHUMP
creakWHUMP BAP
Music to my ears...
I'm totally with you on this john, except that the squeek on the pedal gets kind of annoying to me, like a leaking faucet or something. I think it would've been a better song without it. But that's neither here nor there. III is to me, easily their peak album, though it seemed to be a peak with a very slow gradient down, and I even like albums like In Thru the Out Door, which i think is a very underrated album for most zep fans. Their off stage antics, personalities, over exposure, etc etc has certainly affected my ability to fully enjoy them in the past, but i'm over that, the music speaks for itself and it is freaking undeniable.
Well Carlos, you've said it all better than I could have, as usual. And I agree whole heartedly.
I think what made Zeppelin so extradordinary is that they knew they were cooking with the best ingredients around. Any schmohawk with half a brain cell can tell you that when you've got excellent and complementary ingredients, and you mix them together with a little bit of heat, you're going to end up with something pretty darn tasty.
Zep were fucking great chefs. They took American and Celtic roots music, the Lord of the Rings leatherbound edition, pussy and ale and threw it all into a giant cauldron. Heat was then applied by oversized Marshalls and then the product was stuffed into Robert Plants tight blue trousers.
Ding! Ding! Order Up!
Teenage boys never tasted anything so sweet.
Actually, I wish you would blog about how amazing John Paul Jones is instead of Led Wallet.
BTW Robert Plant's record with Alison Krauss, Raising Sand, is right up there with III for dreamy mystical musical space.
Sure Led Zeppelin is great, but nothing they've ever done could compare to the movie soundtrack to "Annie".
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